Buy it Now: The Punisher Season 1
It may not come as a surprise, but subtlety is not the show¡¯s strongest suit. This almost aggrandizes Frank’s brutality. The show is elevated by strong performances from Bernthal and the supporting cast.Creator/writer Steve Lightfoot and his team deliver an engaging 13-hour story centered around all of those hot-button-topics. In a single interaction, Bernthal can cover a wide range of emotions. The writers do a wonderful job of making sure it¡¯s clear that killing has consequences. The series is essentially a character study on what being exposed to violence can do to the human psyche. For the most part, the show succeeds in covering a wide-range of issues, from gun control to how veterans deal with post-traumatic stress disorder. The violence depicted here is far more bleak and pungent, with Frank often brutalizing his enemies. The pace of the season often slows to a crawl, and almost meanders from beat to beat. Moore (Law & Order: SVU) does a great job of acting as the wise sage. The effects on Frank¡¯s mind as a direct result of his violent lifestyle is explored in greater depth as the season progresses. A mass murderer with a skull painted on his chest is bound to create controversy. It literally goes from 0 to 100 in terms of tension, so that tension feels hollow, because it doesn’t feel properly built up. non-e of the veterans are exactly alike, which adds to their authenticity. When he¡¯s about to kill his enemies, Frank is the scariest guy imaginable, but when he¡¯s around Karen or someone else that he cares for, he¡¯s a completely different person. The slower pace does allow for some great character moments between Frank and Micro (such as the drinking scene, probably the best scene in any of these Marvel shows), and eventually allows Micro to become a fully realized character as the second half of the season gives him a subplot.
The Punisher is indeed an experimental series, and accomplishes a few things the rest of the Marvel Netflix slate never could get quite right. Perhaps emphasizing a story about someone suffering from PTSD, acquiring a ton of guns, and dealing his own form of “justice” was ill timed? It’s hard to detach the series from its inherent political messages when dialogue goes out of its way to remind you of its “realistic” approach to modern politics. Implicit politics aside, any messages the series may have are muddied by the execution.” That’s certainly good news for a show all about him, but it’s not good for every other moment in waiting. For the first half of its thirteen-episode run, the season doesn’t seem to have an endgame. There is an admirable approach at first as the series attempts to focus a season wide arc on introspection and character evolution — explaining why most of the actual “events” of the series happen internally and without fanfare — but this approach is thrown out the window when its initial grounded tone clashes with an almost inevitable comic book intrusion.63). Like Frank and Curtis, Billy is battling his own demons after his return from the war. Frank Castle is a believable killing machine who gives as good as he gets in every fight. Bringing Bernthal into the fold lends these shows a credibility it had yet to earn, and his performance in this series definitely cements his place in the greater comic book cinematic universe at large. He gives an excellent performance as Frank Castle, which is a difficult role to play. His relationship with Castle is the glue that holds the series together. As the first Marvel Netflix series in the post-Defenders era, and the first series not included in Marvel’s initial plans, The Punisher definitely had enough space to really make an impact outside of the previously set standard. Deborah Ann Woll (Daredevil) and Bernthal established that they have chemistry back in Daredevil Season 2, but most of her story here feels forced.Like any good show, The Punisher wouldn¡¯t be as good as it is without a talented supporting cast of characters to back it up. He¡¯s a valuable character that¡¯s sadly underused.
The Punisher Season 1 Trailer Australia
Another actor that gives a standout performance is Daniel Webber (11. Watching him struggle to live his life outside of the military is a difficult reminder that many of the problems showcased in The Punisher are very real. Even then, this could all be forgiven if only the series flowed at a less destructive pace. His portrayal of Lewis Walcott is dynamic.22.The Punisher does stumble in its depiction of the Homeland Security team, led by Agent Dinah Madani and her partner Sam Stein. At times, they feel like they¡¯re part of another show entirely. The Punisher works so well on its own that it¡¯s easy to forget that it¡¯s part of a larger franchise. Jon Bernthal’s turn at the popular anti-hero was received well enough that a full series seemed like a good idea at the time. On the other hand, while the pace can be excruciating at times and the character development is mostly introspective, the fact it accomplishes this at all is something to be celebrated. Madani and Stein rarely get a chance to do anything interesting, which is a shame, since they are both skilled actors. Karen is acting as this show¡¯s Claire Temple (Rosario Dawson). Yet, even with this violence, there’s a disconnect when most of the scenes are backed by a rousing popular song. Those few quibbles aside, Marvel¡¯s The Punisher does a great job of building its own unique world away from The Defenders. If you can handle the violence, then The Punisher is worth your time.Still want more to read about Marvel’s The Punisher while you watch? Its fearless approach to tackling tough political issues doesn¡¯t always work, but it¡¯s an admirable try. As a bonus, here’s a breakdown on where all the major players are in the MCU. Ebon Moss-Bachrach¡¯s (Girls) portrayal of David Lieberman (aka Micro) is incredible.The Punisher does excel in the way it handles the issue of PTSD. How about how The Punisher was born from the vigilante movies of the 1970s, and why Dolph Lundgren’s Punisher movie isn’t as bad as you remember. Even in its weaker moments, the series never goes completely off the rails.
There¡¯s also the issue of Karen Page. It’s just tough to suddenly care about others when Frank not only gets the majority of the focus, but the better of the season’s stories. The unlikely pair is terrific every time they’re on-screen. Still mourning the loss of his family, and occasionally suffering PTSD from his time in the military, he eventually finds himself wrapped up in a conspiracy sprung up by the ghosts of his past. Instead of shying away or ignoring the harsh realities of the real world, The Punisher dives face-first into the debate. His subdued and quiet performance may not make for a great series to experience, but the solemn and subtle growth he undergoes is expressed wonderfully. In terms of action, The Punisher delivers on all fronts, featuring some of the best fight choreography in the Marvel Netflix universe. Sure, Frank will presumably work alongside the rest of the Netflix superhero gang, but there¡¯s no need to remind the viewers of that with Karen¡¯s cameos. There are times when the show shouts its political overtones at the viewer, instead of hinting at them, like they need their characters to literally say ¡°gun control¡± several times before it sinks in.
Unburdened by the rest of the slate, The Punisher’s tone has a stark contrast to what’s been shown before. The delivery seems so off-putting too when you consider the second half of the season’s tonal change. That might be an appropriate approach for this particular kind of character, but it’s not like this series was produced in a vacuum. The series’ heightened violence and focus on gunfights meant we avoided yet another hallway fight scene, but in its place there’s yet another cackling third act villain, several fantastical elements clashing with the grounded tone (Frank goofily dons the Skull again), and the mismanagement of the season’s episodes means the climax seems to happen an episode before the actual finale. Since the brunt of the series’ development is on Frank, when he’s not on screen you’ll find yourself asking “Where’s Frank? Unfortunately, like every Marvel show before it, The Punisher overstays its welcome far too quick.
Marvel¡¯s The Punisher is not an easy story to tell, especially in the current political climate. Jon Bernthal proves that he can headline his own series. The series could have easily turned into an indulgence for senseless acts of violence, but it doesn¡¯t. With the help of Micro (Ebon Moss-Bacharach), a mysterious man keeping surveillance of the city, and the hindrance of Federal Agent Madani (Amber Rose Revah), Frank must find and kill the man at the center of it all, Agent Orange (Paul Schulze). Frank¡¯s brothers at arms each deal with trauma in different ways. It¡¯s a brutal exploration, but one worth taking. Marvel¡¯s The Punisher is a great addition to the Netflix superhero catalog. The first half of the season focuses so much on Frank’s introspection, that when the outside world comes crumbling down it seems less important since the real character development was all in Frank’s head. In the fallout of the events of Daredevil, Frank Castle (Jon Bernthal) has taken a new identity and gone into hiding. Frank¡¯s long-time friend Curtis is the calming voice to Frank¡¯s raging inner-storm. There are other memorable characters here worth mentioning. Jason R. Those with weak stomachs might struggle to get through the onslaught of blood and gore towards the end of the season, but know that there is a purpose behind all the slaughter. Jon Bernthal also has the fullest Frank Castle portrayal ever produced. Billy Russo, played by the talented Ben Barnes (Westworld) also makes his mark in the series. Again, like the Netflix/Marvel series before it, The Punisher is an exercise in excess. The writers take their time developing Billy¡¯s story, but it¡¯s well worth for the wait.